Create Rich Darks and Neutrals with this fabulous and unique, dark neutral pigment that when mixed w…

A superb mixing color. Think of Cerulean Blue as a cleaner, brighter and slightly warmer alternative…

Deserves a place on every palette. A gorgeous forest green that is almost black in mass tone, it has…

Green Gold's bright yellow undertones shine in thin applications allowing for golden highlights with…

A highly transparent burnt orange loves to mingle with the lamp black, settling in beneath it, mixin…

Create pastel shades with a creamy, semi-opaque finish by mixing Titanium White with your favorite w…

Ultramarine Blue plots cooler and bluer than the more saturated French Ultramarine. Temperature asid…

Used since prehistoric times, an extremely permanent inorganic earth pigment of low intensity but me…

This deep red violet disperses evenly and moves from deep darks to clear, glowing washes. Like all Q…

Payne's Gray is a cool bluish grey, almost black in mass tone. When mixed with other colors it's les…

This organic Vat pigment is a super-staining primary blue. Warmer than most blues, Indanthrone is cl…

Low to medium-staining, Hooker's Green is a warm, natural green. Useful in formulating greens of all…

Kissed with a touch of orange, this is a pure chroma color with high-tinting, semi-transparent organ…

A mid-range green-yellow, useful for mixing middle value grays. Introduce non-staining complementary…

This neutral, non-staining primary blue will subtly modify most pigments. Considered a "mixing pigme…

This rich dark brown earth pigment is popular with artists due to its semi-transparent or semi-opaqu…