A color similar to soft blues often used by Matisse. It is a neutral blue next to warm hues but beco…

Very powerful, makes very clean tints. Greener than Ultramarine and Cobalt Blues.

Very electric light green. It is cooler, bluer, and less earthy than Cadmium Green Pale but paler an…

Very deep eggplant violet. Good replacement for black, since it will not sully other colors, yet can…

This odd mix of complementary violet/yellow with yellow iron oxide makes it appear yellowish, greeni…

A soft, cool, lemony, yellow, without the acidity of our Cadmium Lemon or the electric brightness of…

Value is similar to King's or Azure Blue. Much more complex undertones than from mixes of black and …

Taking inspiration from our Pigment Sticks®, R&F DRAWING OILS™ offer a smooth & portable drawing exp…

The shade most associated with yellow ochre. A soft very slightly greenish yellow. Against darker co…

Intensely red, yet in a high key painting it appears almost brown. Surrounded by low key colors, it …

Very dense black. Slightly violet undertone and greys. Mixes cleaner than other blacks.

The reddest of the violets.

Named after the mineral color that is chemically associated with azurite. Malachite and azurite were…

Deeper, warmer, slightly orange version of Naples Yellow. The French name is traditional.

Dark bluish grey metallic.

Gaudy, in-your-face, ultra-sweet, violent, vivid, outrageous, hot-house pink. More intense than deKo…

The "true" blue, because it is distinct from Cerulean on the green side and Ultramarine on the red. …

Taking inspiration from our Pigment Sticks®, R&F DRAWING OILS™ offer a smooth & portable drawing exp…

70% Titanium Dioxide, 30% Zinc Oxide. Combines the hiding power of Titanium with the clean tinting p…

Not at all like Cerulean Extra Pale. The Raw Sienna makes it a very subtle pale earthy green. So clo…