The shade most associated with yellow ochre. A soft very slightly greenish yellow. Against darker co…

Intensely red, yet in a high key painting it appears almost brown. Surrounded by low key colors, it …

Very dense black. Slightly violet undertone and greys. Mixes cleaner than other blacks.

The reddest of the violets.

Named after the mineral color that is chemically associated with azurite. Malachite and azurite were…

Deeper, warmer, slightly orange version of Naples Yellow. The French name is traditional.

Dark bluish grey metallic.

Gaudy, in-your-face, ultra-sweet, violent, vivid, outrageous, hot-house pink. More intense than deKo…

The "true" blue, because it is distinct from Cerulean on the green side and Ultramarine on the red. …

Taking inspiration from our Pigment Sticks®, R&F DRAWING OILS™ offer a smooth & po…

70% Titanium Dioxide, 30% Zinc Oxide. Combines the hiding power of Titanium with the clean tinting p…

Not at all like Cerulean Extra Pale. The Raw Sienna makes it a very subtle pale earthy green. So clo…

Unlike most blues, when mixed with white, Cerulean takes on a softness that in juxtaposition with co…

A delicate cool, slightly yellowish green that, like many of our pale tints, can act as neutral to s…

By itself, it has a sense of purity and clarity, without the usual hint of greenishness that would s…

Perfectly balanced between deep yellow and light red.

Dark reddish-brown top tone. Fiery pinkish-brown undertone. Like an intense burnt sienna. Excellent …

Its paleness makes it more of a warm yellowish off-white than a true yellow. Has the effect of soft …

Bright, slightly greenish light blue. Can act like a high-keyed Cerulean.

A boldly metallic iridescent gold. Unlike the more subtle iridescent colors that harmonize more read…